Josh Bairstow.
Field notes No. 19

Notes on warm light and cold water

A study of value over hue, written before the sun is fully up.

There is a particular hour before the sun fully clears the headland when everything is value and almost no hue — warm shadow against warmer light, and the whole world reduced to a single tonal ramp. Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. {.lead}

Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. I have been trying, for some years now, to see the way a camera does — to read a scene as a set of relationships rather than a list of things. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore.

Seeing in value

Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum. The trick, if there is one, is to squint until the colour drops away and only the structure remains. Sed ut perspiciatis unde omnis iste natus error sit voluptatem accusantium doloremque laudantium.

“Warmth is not a colour. It is a direction the light is travelling.” — Field notes, No. 19

Nemo enim ipsam voluptatem quia voluptas sit aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos qui ratione voluptatem sequi nesciunt. Neque porro quisquam est, qui dolorem ipsum quia dolor sit amet.

Cold water, slow craft

At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident. The cold does something useful to attention — it narrows it.

Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio cumque nihil impedit quo minus id quod maxime placeat facere possimus, omnis voluptas assumenda est, omnis dolor repellendus.